The Perfect Imperfect

Sunflower mandala.
The Perfect Imperfect 1: Reading of this post.

Perfectionism is an issue. From my training as a scientist I know that accuracy and detail is important: it makes the scientific conclusions drawn from valid data as rigorous as possible, without overstating explanations as fact. Science is careful when it is done formally. Public perception and popular science expressing opinion are not necessarily so rigorous, and there are counter arguments presented to those opinions parading as science because the author also happens to be a scientist. My concern here is not with science, because I see no contradiction between science and religious faith. In my opinion, that argument is contrived.

I remember a distant conversation with a man, but I do not remember the occasion or circumstances, nor the man. He may have been a Muslim man, and I think that he was, and he was talking about the weavers of Persian rugs. He told me that although the patterns in the rugs are clear and logical, the weavers always weave into the rug a mistake: imperceptible, but they never make them perfect:

…because only God is perfect.

And while I do not remember the occasion or who this man was, I do remember the warmth in his voice, and the light in his eyes, when he said this. It is why the truth of it has remained with me, even when everything else around it has faded in my memory.

If you have looked at my Mandala page, and other posts where I have included a mandala image, you will know that I create these pieces of art out of prayer, and that it is a compulsion that began from an imaginative contemplation I had once on a retreat, where I was trying to express, albeit inadequately, my prayer experience: words were not enough, and neither is the art. I am still trying to express this one prayer, and it draws me deeper each time and sustains me. In the course of my journey with the mandalas, I discovered the book “How the World is Made, The Story of Creation According to Sacred Geometry and was struck by the contrast in the images of the Heavenly City mandala when drawn by hand and generated by computer:

The Hand and The Computer, A Note on the Illustrations: How the World is Made, The Story of Creation According to Sacred Geometry, John Michell
The Perfect Imperfect 2: Reading of this post.

The architect and geometer Jon Allen is quoted as saying:

We lose something when we use computers to draw geometry. However beguiling their mechanical precision, they lack “heart”: in some subtle way we become observers, rather than participants.

Jon Allen, Drawing Geometry, as quoted by John Mitchell, Sacred Geometry.

The second mandala in the above image, I have to acknowledge, leaves me feeling a bit cold: not because it is in black and white, but because it is too clinical. It does not move me, whereas the hand drawn one above it captures my interest much more. I know it is not an issue of colour, because I am a member of a mandala group on another social media site and I scroll past the computer generated ones, no matter how colourful they are. I am always more likely to pause to ponder those that have been hand drawn.

In the Sermon on the Mount, Jesus says:

Be perfect, therefore, as your heavenly Father is perfect.

Matt 5: 48

So what it is that draws me to those mandalas that are imperfect, and repels me about the ones that are perfect? For me, the essential element is process, or movement. In the retreat when I first created my mandala and I spent another day, as suggested by my director, writing down my journey to the final drawing, I finished with the realisation:

…it is the process itself that is important, because it is the process we engage in that skews us towards God, that draws us closer to Him, that transforms us so that we become more like Him.

God in all Things mandala, drawn at Loyola IGR, 2009.
The Perfect Imperfect 3: Reading of this post.

One of the meditations during the first week of the Spiritual Exercises is on hell. Ignatius encourages us to imagine the place of fire and brimstone, as tradition describes. I imagined however, a place where nothing every changed, where there was no stimulation to the senses at all: no sound, smell, taste, no texture to feel, neither hot nor cold, and everything was white, no shadows, colour, nothing; for all eternity, nothing. And being fully conscious of that. I screamed, there was no sound, I cried, there were no tears. I could not hear my own heartbeat nor my own breathing. To feel, even for a moment, that there was no escape from such a place was indeed hellish.

The Perfect Imperfect 4: Reading of this post.

When I see the triquetra, I do not see a static shape, I see a constant flow. It is also what I see when I look at Rublev’s icon of the Hospitality of Abraham, a constant flowing love between the three persons of the Holy Trinity, and with a gap, where I am invited to join the flow. It is as described by Richard Rohr in “The Divine Dance”. God is constant movement. In the Contemplation to Attain Love in the Exercises Ignatius asks us to consider:

…how God works and labors for me in all creatures upon the face of the earth, that is, He conducts Himself as one who labors.

The Spiritual exercises of St.Ignatius, trans. Louis J. Puhl S.J.

As I understand it, the perfection of God is in the eternal movement of God.

St Beunos. Mandala on wood.
The Perfect Imperfect 5: Reading of this post.

The above mandala is of the labyrinth at St. Beunos, painted on wood. Normally, I would have tidied up where the colour has spilled over onto the gold by way of finishing off the mandala, and here, even though it seems sloppy and a bit embarrassing, it was clear in my prayer, that it had to be left this way. The colour spectrum represents the Holy Spirit, and the Holy Spirit:

…does not stay between the lines.

It represents the wildness of God, that He will not confine Himself to our expectations of Him. And this is my point. When we see a pattern, our brain knows what that pattern is supposed to do. When something is off about it, we are drawn to that imperfection, it bugs us and leads us into contemplation, from the imperfect as we see it, to the perfect, as we would like it to be: it is the process, the journey, the desire for improvement.

A computer drawn mandala has no room for improvement. Any change to it leads away from perfection. If God is perfect, moving away from perfection is a movement away from God, into spiritual desolation.

However an overdrive for perfection, into the area of the law of diminishing returns, can also be spiritual desolation. I recognise it within myself, the tendency towards pride, and it leads to obsession with work and neglect of other aspects of life, such as relationships and prayer. In his book “The Me I Want to Be”, Jon Ortberg talks about “Signature Sins” . He says:

The pattern of your sin is related to the pattern of your gifts…

…it starts close to home with the passions and desires that God wired into us and tries to pull them a few degrees off course. That subtle deviation is enough to disrupt the flow of the Spirit in our life, so coming to recognise the pattern of sins most tempting to us is one of the most important steps in our spiritual lives.

The Me I Want to Be, Jon Ortberg

Recognising our own pattern of sin is an important movement that occurs during the first week of the Spiritual Exercises.

At the other end of the scale, the push for perfection can cause paralysis, rather that obsession. For example, I was helping a child with ionic bonding recently. She was refusing to draw dot/cross diagrams into her beautifully and perfectly presented exercise book because she deemed them to be messy. The unattainabilty of perfection was getting in the way of the learning process. And so the feeling of it never being good enough can get in the way of doing anything at all. It is the process that draws us to God, not the final result.

The final result, because of its imperfection, will, if we allow it, continue to draw us into this process with God.

The Perfect Imperfect 6: Reading of this post.

The mandala above was the third one I coloured on the Loyola retreat after creating this design. It was a prayer for my younger child who had been bullied at school that year by a group of three boys. The purple represents suffering, the yellow, hope; the red, faith; and the blue, love. In following the pattern, one of the shapes which should have been yellow, is in fact blue. When I realised my “mistake”, I heard Him say within me, that for a child to recover from such a thing as bullying, it takes a little more love. I knew how I needed to respond to my child when I got home from my retreat.

In our imperfection, there is God’s perfection. We live in His freedom and are open to His grace when we live in our imperfection and allow it to be the case.

IGR: Individually Guided Retreat

I have recently returned from my annual IGR, this year at Penhurst Retreat Centre in Kent, and I have been reflecting on conversations I have with a variety of people who have never had this experience.

I’ve been going on this type of retreat ever year for such a long time now (this year was my 19th IGR) that perhaps I take the process, but never the opportunity, a bit for granted.

As a PhD student, I was involved with the Catholic Student Council (CSC) and was the secretary on the Team for a year. As part of our preparation, we did a team retreat for three days, which started off in silence. I took to the silence as if I was designed for it. After a day and a half though, I had a chat with someone, not involved in the retreat, who told me that it was okay for me to talk. I lost something in that conversation: I can only describe it as if I had been in a dreamlike state that you might enter walking alone along a beach, where hours can pass and it seems like minutes, and then I had been forcefully brought back into the noise, chaos and pressure. It was something that I was unable to get back at that time, and I longed for more of it for years afterwards.

Over ten years later, I booked into Loyola Hall for an eight day IGR, and looked forward to spending that time alone with God. When you remove yourself from the world in this way, it is like the world stops turning, until you enter back into it at the end of the retreat. Certainly, you arrive there with your agenda and concerns, the things you want to talk to God about, and you may want Him to address, but after a day or two, you move onto His agenda. And often, the things that were so important when you arrived, seem less so at the end: you have a whole different perspective, even perhaps when you have not thought about them, other than at the beginning of the retreat. It is also a common experience that problems have resolved themselves, and answers have presented themselves without dwelling on them at all, once they are handed over to God at the beginning. Letting go and trusting Him are not to be underestimated.

So, what happens? Usually, there is time to settle in, including a house tour if you have not been to that place before, and dinner in the evening, which is a talking affair. It gives a little time to introduce each other in the group making the retreat at the same time. It is amazing how much you can get to know someone after eight days without speaking to them! Then there is a meeting where housekeeping is presented, and most importantly, you are introduced to your spiritual director for the week. You are shown to where you will meet with them and choose a time slot for your daily meeting. They may, or may not, suggest something from scripture to look at to help you settle into an attitude of prayer and silence, and after this point the silence begins. Each day, you meet with your director and share what is happening in your prayer, and usually, the director will make suggestions what you might pray with next, or they might ask you what you feel drawn to pray with. For me, this year, the director made no suggestions at all to me, and it felt a little scary initially, until I spoke to myself about my own formation as a spiritual director, and that I was more than capable of choosing myself, since I am well able to do it for others. She smiled when I told her of this initial feeling and said:

You seemed to know what you were doing.

It would be an example of the eighteenth annotation of the Spiritual Exercises in practice:

The Spiritual Exercises must be adapted to the condition of the one who is to engage in them, that is, to his age, education, and talent.

The Spiritual Exercises of St. Ignatius, trans. Louis J. Puhl S.J.

In teaching terms, it is effective differentiation. And speaking of difference, not every retreat, and not every director is the same. And so too for the impact. I have come back from some with a few changes I knew I needed to make; and I have come back from others different, with no idea about how to respond, but just the certainty that life was never going to be the same again, because I had fundamentally changed. After my fifth IGR, the shift was so significant that by the October half term I was feeling that my life as it was was unmanageable and that I had to find a way to live differently within my context. It was at this point that I sought out a spiritual director in everyday life, and his support since then is invaluable to me, and is one thing I am deeply grateful for. With some directors I have felt well met, others less so but we have been able to communicate effectively, and one or two, I have to admit, have brought out my rebellious, stubborn steak. One so much so, that I texted my director in life to ask:

What is wrong with the way I pray?

One year, I went to Loyola itself: Gerry W. Hughes had organised an ecumenical IGR there, and I was very fortunate to get a place on it. In his preamble on the first evening, on talking about the role of the director, he said:

At the very least, we pray not to get in the way.

Gerry W. Hughes, Loyola IGR, 2007.

In answer to my question, my director in everyday life affirmed me about my prayer and told me to trust myself, and also reassured me that it would be appropriate for me to ask for a different director if I felt unable to work with the one assigned to me. I decided to work with the one I had, and focused on my relationship with God, not with the director. In the fifteenth annotation, Ignatius says of the director that they:

…should permit the Creator to deal directly with the creature, and the creature directly with his creator and Lord.

The Spiritual Exercises of St. Ignatius, trans. Louis J. Puhl S.J.

I remember this particular point both when I am listening to others and when I am being listened to. Only once have I asked for a specific director: I usually try to remain open and trusting. I once met someone who had done the Spiritual Exercises in the thirty day retreat format and had not connected with her director at all. She continued to work with him for the duration however, and said that in the end, it was irrelevant, because the process was between her and God, and happened regardless. The best situation is where we get the director we need, which may not always be the director we think we want.

Regarding the location, I made myself very much at home at Loyola Hall before it closed, and since then at St. Beunos, where I made The Spiritual Exercises a few years ago. Every so often, circumstances have moved me to a different location, Penhurst this year, which has always been refreshing. The best locations, in my experience, are situated a bit out of the way, withdrawn from the world, where it would take a deliberate effort to put yourself out there. Both Penhurst and St Beunos are in beautiful, quiet, settings, well away from the business of the world. In two places I have been – Loyola and Dunblane – the town was right on the doorstep, and this made it more difficult, but not impossible, to sink deeply into silence and remain there. The business of the world, the shops, coffee shops, cars and streets were always calling, and the temptation to walk out on the silence when it was difficult was always there and easy to give in to. But on the other hand, temptation is just another opportunity to choose God, so choosing to remain in the silence in this situation is a huge deal and a movement towards greater spiritual maturity. It is good training to hold onto our centre when we are back in the world.

The day on an IGR follows a rhythm of its own, punctuated by structured periods of communal prayer, liturgy, mass, exposition, the meeting with the director and mealtimes. I’m quite at home with the concept of a timetable, and I usually factor in painting, tai chi and a shower, the latter happening at a different time of day from my usual routine for an unknown reason, but which feels quite natural on retreat. And of course, formal prayer periods. I aim for three one hour periods, but I often have to build up to that, or can only only manage two, or shorter prayer periods. There is a balance between discipline and flow – it is something to neither avoid nor force: it is about noticing how you are feeling and what is drawing you. If I felt I wanted to walk the labyrinth after lunch, instead of tai chi, that is probably what I would do; forcing myself to do tai chi at this point, simply because it was the designated activity on my self designed timetable and I must be disciplined in my spiritual life, may well prove to be unproductive. If I felt like I did not want to go to the communal liturgy in whatever format it took, and I have, quite a lot, I would take careful notice of what was moving in me, before I decided whether to go or not. Discernment is key, even in what we choose to do on retreat, and often, spending time sitting staring into space is required.

As for mealtimes, suffice to say, quite often the inner battles people have manifest themselves in the dining room with either too much or not enough eating, crying, sighing, inappropriate laughing, staring, coming in late…all manner of ways, that perhaps we might consider rude. It is best to be kind in our inner attitude, because we have no concept of how others are being challenged by God, or how the spirits opposed to God are whipping up an internal cacophony within them. And when it is our own struggle, it is still best to be kind in our inner attitude towards ourselves.

Window, Penhurst Church

So, why do I do this kind of retreat every year? First and foremost, I promised God on the the first one that I would. Secondly, I need to. During the year in between, my edges become a little frayed by the constant bombardment and sensory and emotional overload of the world in which I live and work and the retreat allows me to rest in God for a significant period of time that I cannot replicate in my day to day life. I sink deeper into Him on retreat, and it re-orientates me. Sometimes, the shift is paradigm, like an earthquake, where the plates have been moving gradually for a while, and the tension is such that a huge movement occurs. And sometimes, it is simply much needed rest within His love, where I come back to myself again. If it is not something you have ever done, and you have the opportunity, I thoroughly recommend that you give it a try for yourself.