Rhythm and Religiosity

Rhythm and Religiosity 1: Reading of this Post.

I heard tell of an interview once of a septuagenarian nun where the interviewer had asked her:

Do you never get fed up getting up so early in the morning to pray?

Of course.

She replied. The interviewer then asked her:

Then why do you do it?

To which she replied:

Because the bell rings.

Rhythm or Religiosity? Is it a thing that is done because those are the rules as laid down by the organisation one is working and living in, or is it a rhythm, a habit that flows from one movement to the next without any need to think about it. All that is needed is to relax and go with the flow. Or is it both?

Rhythm and Religiosity 2: Reading of this Post.

Personally, I think that there must be a bit of both. Structures that we put in place are a support, scaffolding, to enable us to be present, to not struggle with every decision that has to be made, by constantly having to make every decision again and again as if it were the first time. I have been a teacher for over twenty five years and my working life has been governed by a timetable: so much so, that while the holidays are desired for the rest and spaciousness of time that they bring; for the break in the constant bombardment that happens in teaching; for the slowness of pace that is difficult, or at times impossible to find during the term time; that very spaciousness of time can be a little scary as it opens up in front of you. A timetable is a rhythm: we know where to be and when, without necessarily thinking about it, we know when to get up and when to go to bed to ensure enough sleep to enable us for what has to be done the next day. There is a safety and a security in it.

But structures that are designed to be supportive might also become limiting, might become the bars of a prison, rather than scaffolding. The daily, weekly, monthly, annually habit become a rut, something that either we are unable to escape from, or are too afraid to escape from; they may become something that hinder rather than help. For example, when I was making the Spiritual Exercises at St. Beunos a few years ago, I fell into a daily rhythm: night time prayer, sleep, wake, prayer, breakfast, review of prayer, meeting with spiritual director, art room – painting, break/coffee, preparation for prayer, prayer, shower, review of prayer, lunch, tai chi and so on. Each day, other than the repose days, was very much the same routine and it flowed naturally from one thing to the next. It seemed to be this way for others in the group too – the same man was in the art room at the same time as me daily; when I was doing tai chi, the same two women walked past me at about the same point each day on their daily walk. The rhythm supported the prayer and engagement with the exercises. But there were a few days when I did not want to paint, I wanted to just walk, or to walk the labyrinth; or I did not want to do tai chi, I wanted to have a long hot soak in the bath instead of tai chi and a shower. These may seem like trivial examples, but they illustrate my point, and when you have withdrawn from the world into the silence of retreat, you do become very sensitive to disruptions in your thoughts, desires and habits. And that is, in a way, the point. So, what to do when the desire is to step out of the routine? I went with what I was drawn to. Spiritual directors talk about noticing the difference between being “driven” and “drawn”. Certainly had I forced myself to paint, or do tai chi at those points because that is what I did every day, it would have been jarring to the movement within in me at those times. Other times, when maybe I did not feel like doing those things, or even dare I say it, the designated prayer, the routine was helpful, because, like the nun with the bell, it was the time to do that activity. What else was I going to do? I had an inner resistance to the “timetabled” activity, not necessarily a feeling of being drawn to something else.

Labyrinth, St. Beunos
Rhythm and Religiosity 3: Reading of this Post.

In The Spiritual Exercises, in the key meditation of the Two Standards, Ignatius invites us to consider the manner in which the enemy works, and compare it to how God works. Of Satan addressing his followers Ignatius makes the point:

Consider the address he makes to them, how he goads them on to lay snares for men and bind them with chains.

The Spiritual exercises of St Ignatius, trans Louis J. Puhl S.J.

Of God, he says:

Consider the address which Christ our Lord makes to all His servants and friends whom He sends on this enterprise, recommending to them to seek to help all, first by attracting them to the highest spiritual poverty…

The Spiritual exercises of St Ignatius, trans Louis J. Puhl S.J.

The difference is in trickery, coercion and force as opposed to attraction, recommendation and essentially, choice. Discernment is about noticing the movements within us, and what is motivating or leading us to choose one action over another. It is as much in the small choices: painting or walking, tai chi or soaking in the bath, as it is in our more important life choices as to a state in life, or what work we do.

We might feel that we ought not to escape from our habits because of our deeply held beliefs. And maybe we are right in that, and maybe we are not. I told the story from “The Song of the Bird” before, about the devil being unbothered about someone picking up a piece of truth. My sense of the meaning in this story is that the devil is hoping for the person to turn the piece of truth they have found into religiosity, a belief that they must cling to, no matter what; a rigid, no negotiation point of view which refuses to consider any others, or discern that this piece of truth may not be relevant any more, or in this particular situation. It would be the jarring situation of me forcing myself to paint, instead of walking the labyrinth, or doing tai chi instead to soaking in the bath, even as I was aware that I was being drawn elsewhere; it is the anxious fear of not being able to step out of the routine that is in itself the desolation. Sometimes, when I sense this feeling in myself, in both the small and big decisions, I tell Him about it:

Dear God, I believe that you are drawing me in this direction so it is what I am going to do. If I am wrong, please forgive my lack of understanding, because my intention is to do what You desire of me.

My anxious fear becomes trust: in the temptation to choose fear and the enemy, I choose faith and God. What is temptation after all but an opportunity to choose God?

The idea of effortless rhythm does appeal to me and I wrote about my resistance to flowing from one state of being to the other. My own spiritual director has since encouraged me to notice, not necessarily my resistance to the movement, but my own negative opinion to my resistance. What is going on there? A while ago I recognised that I was trying to find, actually force, a rhythm in my life that was like a sine wave – introducing some science here – where my own natural rhythm was actually more like a damped harmonic wave.

Rhythm and Religiosity 4: Reading of this Post.

By this I mean, that my focus does not naturally shift easily from one activity to another, in the easy flow represented by the yin and yang. In the damped harmonic graph, the amplitude (intensity) decreases over time. There are also concordant waves (different frequencies for the different properties) all happening together, but there is one that is dominant (the orange one). What this looks like in my life is that there is one thing that my thoughts, desires and actions might be drawn to in the quiet moments in between all that needs to be done just for living. It may be painting, or tai chi, or cycling, or photography; any number of things that capture my imagination. I will be preoccupied with that thing for a while, and my interest will dissipate and move to something else. My director is right to invite me to consider my own negative attitude to my resistance to flow: it is a religiosity, it is telling me something important about myself. Among other things, I am trying to force myself to be something I am not, and as I realise that, I can let it go. My dominant wave recently has been survival of winter, but now that the season is turning, that wave is dissipating, and I can feel both my bike and my camera calling to me, and the garden and my tai chi patio in the garden. Something new is coming to invite me to life and I am open and trusting to what that might be. It is my rhythm. What is yours I wonder? What might you be clinging to religiously, that perhaps is hindering you rather than drawing you more deeply into God?

Tai Chi and Three Kinds of Humility

Tai chi and Three Kinds of Humility 1: Reading of this post.

One of the key meditations in the Spiritual Exercises is on Three Kinds of Humility and it outlines the different levels on which we might respond to God. Ignatius describes the different levels as:

The First…consists in this, that as far as possible I so subject and humble myself as to obey the law of God our Lord in all things …

The Spiritual Exercises of St. Ignatius trans. Louis J. Puhl S.J.

The Second…it if my attitude of mind is such that I neither desire nor am I inclined to have riches rather than poverty, to seek honor rather than dishonor, to desire a long life rather than a short life, provided only in either alternative I would promote equally the service of God our Lord and the salvation of my soul.

The Spiritual Exercises of St. Ignatius trans. Louis J. Puhl S.J.

The Third… I desire and choose poverty with Christ poor, rather than riches; insults with Christ loaded with them, rather than honors; I desire to be accounted as worthless and a fool for Christ, rather than to be esteemed as wise and prudent in this world. So Christ was treated before me.

The Spiritual Exercises of St. Ignatius trans. Louis J. Puhl S.J.

Or, to express it more colloqually, the first because I should; the second because I want to, and the third, because I want to be like You. It is not to be critical of the first or second kind of humility, Ignatius is describing a deepening in our motives and movement, and we may operate with differing kinds of humility depending on the situation and our particular experiences at different points in our lives.

The first time I ever heard about Tai Chi, I was a student on a chaplaincy retreat in Walsingham in Norfolk. The retreat was called “God Games” and Fr. Gerry, a Marist father who was leading the retreat, gave a session on different ways of praying and introduced tai chi as a means of bringing the body into prayer. He taught us what I now recognise as the Preliminary Exercise in Tai Chi and had us practicing it for about ten minutes or so. I never forgot this session, and when I had the opportunity to learn tai chi some years later, I took it. There was also another bodily exercise of walking blindfold for a mile over a track to get to the Shrine at Walsingham, putting our trust in another person we had only just met that weekend. It is another session I will never forget!

Tai chi is an important part of my spiritual practice and my prayer, but I will confess here and now, that I am not a good student of tai chi. There are different aspects to tai chi: the form, standing postures, push hands, qi gong, sword form; but I only engage with the form and occasionally standing postures. A few months after I had begun learning it, I was stunned to learn that it was a martial art! I had understood it to be “meditation in motion” – one of my teachers had that motto on his tee shirt – and of course, my first introduction to the art had been in the context of it being a means of using the body in prayer. This opinion does seem a bit naive to me now, but then, that is it how it was. I did, and still do, not want to learn literal fighting. I do not want to brandish even a wooden sword- even though I would quite like a replica sword for my vanitas photography projects, and I feel too awkward for push hands: being drawn to spiritual solitide, I am not keen on the dance of shared internal energy around this practice, and yet, I understand the need for connection. Qi Gong I have only watched others do with a wild eyed curiosity. What can I say? I am a creature of paradox.

So why do I do it? as I have already explained, it is a means to bring my body into prayer, and it brings with it a completely different kind of peace, of bliss, that anything else. It is the same as and different from contemplative prayer, both at the same time. Ignatius discusses the use of the body in prayer in the fourth addition:

I will enter upon the meditation, now kneeling, now prostrate upon the ground, now lying face upwards, now seated, now standing, always being intent on seeking what I desire.

The Spiritual Exercises of St. Ignatius trans. Louis J. Puhl S.J.

and he says of spiritual exercises:

By the term “Spiritual Exercises” is meant every method of examination of conscience, of meditation, of contemplation, of vocal and mental prayer, and of other spiritual activities that will be mentioned later. For just as taking a walk, journeying on foot, and running are bodily exercises, so we call Spiritual Exercises every way of preparing and disposing the soul to rid itself of all inordinate attachments, and, after their removal, of seeking and finding the will of God in the disposition of our life for the salvation of our soul.

The Spiritual Exercises of St. Ignatius trans. Louis J. Puhl S.J.

The practice of the tai chi form for me, is prayer: it is spiritual exercise, plain and simple. The three kinds of humility describe three levels of my prayer experience with this practice and my movement through the different levels at different points in my life and practice.

An explanation of the principles of Yin and Yang from Taoism.
Tai chi and Three Kinds of Humility 2: Reading of this post.

The first kind of humility is where I am situated mostly in the ordinary time of my life. I have always found tai chi a struggle because it requires a completely different mindset to my day to day existence. Secondary school teaching is a demanding, pushy environment, it is all yang, aggressive, forceful, hard, outgoing energy, extrovert, fire. This side of my personality has to dominate to get things done. Tai chi asks me to shift, to be more yin, yielding, soft, inward, introvert, water. I find this shift difficult and I resist it. I always found the evening classes a struggle in the middle and at the end of the week after a day at school, and my head fought with me the whole time. I am sure I was a frustrating and disruptive student.

So, much of where I am at regarding my practice of tai chi is that I should do it more, and more regularly. I have a wonderful patio in my garden where I can practice, but I do not use it nearly often enough or habitually, for many reasons: it is too cold, dark (even though I have a movement activated light out there), I am too tired, stressed or busy. The autumn and winter litter around the edges displays my neglect, and does not reflect the amazing consolation in this practice; only the desolation of my resistance to it.

Tai chi patio – suffering from neglect and resistance, like my tai chi practice.
Tai chi and Three Kinds of Humility 3 Reading of this post.

When I go on retreat however, I have established the habit of doing tai chi for about an hour after lunch and it very quickly moves from I should, to I want to – the second kind of humility. And it can be seen in the ease of the flow of movement in my practice. I move in a couple of days from doing tai chi to being in the flow. I am aware of where there is resistance and by putting my consciousness there, it begins to relax. I am speaking here physcially, of my muscles and joints, and also spiritually, of my prayer. I cannot describe the bliss of this state of practice, or the closeness of my experience with God. He is there throughout, talking, laughing, being all at once mischievous and then tender. Sometimes, in my imaginative contemplation, I imagine myself doing the tai chi form, and Jesus or the whole Holy Trinity are there in the room doing it with me. My desire is for this level of practice in my ordinary life, but I resist it. I have talked about resistance in prayer before.

And then there is the third kind of humility and tai chi. During tai chi classes my teacher would say:

Let go of all unnecessary resistance.

When I made the Spiritual Exercises by the twentieth annotation, the thirty day retreat, I maintained this daily habit throughout the thirty days of the retreat, with only one or two days rest from it. Being in the flow became the normal level for most of the time. I started to bring phrases from my prayer into my form; placing particular phrases from scripture with movements that fitted with the rythym or meaning. For example, “ward off ” I put with:

Protect your heart,

Which were words I heard during my colloquy when praying with the woman caught in adultery and Jesus saying:

Let anyone among you who is without sin be the first to throw a stone at her.

John 8:7

and “fair lady works the shuttle” I put with my prayer to Him, from The Prodigal Son meditation:

I have sinned against heaven and against You.

Putting scripture and the words of my prayers into my tai chi form in this way broke down resistances I was experiencing in the exercises, these examples in particular coming from the first week when contemplating sin. There were a few times when the tai chi moved to a level I have never experienced before, or since, when I was not being in the flow: I was the flow; there was no unnecessary resistance – only that needed to move and be upright. I was tai chi, metaphor not simile. I can only describe it as being both unaware and aware of myself as a physical body, of being purely energy moving, flowing, responding. I would liken it to the third level of humility Ignatius describes: it is to be like God, and it seems to me to be grace. As in tai chi and prayer itself, I can only put my awareness there and let go; it is not something I can make happen. It might look like Master Jiamin Gao doing tai chi – on the inside though, I do not look like this when I am practicing tai chi.

Master Jiamin Gao of US Wushu Center: She begins about 1 minute 8 seconds into this video clip.
Tai chi and Three Kinds of Humility 4: Reading of this post.

My closest friend is an artist, and was working through a life drawing course where she was to draw people moving, and holding postures. I agreed that she could do this while I was doing tai chi practice, and I can see the differences in her drawings around what was happening within me during my practice. She could see the difference from watching me. She has been inspired to learn tai chi herself.

The director on a retreat a few years ago gave me a sequence of movements to go with The Suscipe Prayer from the exercises, and I add them onto my form whenever I do it, with tai chi energy and style. It is very powerful.

Tai chi and Three Kinds of Humility 5: Reading of this post.

I drew this yin and yang mandala a few years ago on that retreat. It represents the dual aspects of my personality, the active and the contemplative. Since I have been working with my own spiritual director, I have been trying to balance these aspects of myself and so reconcile my split spirituality. I realised when I did this painting that it was not the right balance that I needed, but to be free to flow from one to the other without resistance: to be able to go from teaching to tai chi without the internal struggle that entails, to be busy one moment, and then able to go to my prayer spot without having to give myself a motivational talk; and to be able to go in the opposite direction, also without resistance, to move from prayer to housework, or just work, without the reluctance, or the negative feeling and resentment that I just want to stay here where I am now, in this prayerful space. So, here I am practicing what I have learned from tai chi: I am putting my awareness where the resistance is in the hope that I will relax and move into a deeper level of humility in my prayer and in my life.

So, here is a question for you:

Where are you resisting God calling to you in your own life?

Maybe putting your awareness in that place will gently bring about a release from that resistance, with His grace. I am holding you in my prayers.

Light in the Darkness

Light in the darkness
Light in the Darkness 1: Reading of this post.

The people who walked in darkness have seen a great light; those who lived in a land of deep darkness— on them light has shined.

Isaiah 9:2

There has been a convergence in my thoughts recently in the contrast between light and darkness as metaphors for spiritual life. I posted a guided prayer with the image above, inspired from Isaiah, and Matthew’s gospel, which we are studying in our bible study group at church, which made reference to it. Also, in writing about my mandalas, I mentioned that they were in response to one particular imaginative contemplation that I had had on a retreat and that I was still trying to process that one prayer experience. Carl Jung says of mandalas:

In such cases it is easy to see how the severe pattern imposed by a circular image of this kind compensates the disorder of the psychic state– namely through the construction of a central point to which everything is related, or by a concentric arrangement of the disordered multiplicity and of contradictory and irreconcilable elements. This is evidently an attempt at self-healing on the part of Nature, which does not spring from conscious reflection but from an instinctive impulse.

Archetypes and the Collective Unconscious

In other words, according to The Mandala Book, Jung felt that mandalas represented an unconscious attempt to heal psychic disturbances. In the contemplation to which I am referring, I spent some time simply touching Jesus’ face, as if I were a blind person, and what I could see was only light: more and less light, luminosity of differing intensity, rather than a skin and bones face. I do not have the words or images to describe completely the effect it has had on me, only that I have never been the same since then and that creating mandalas is a compulsion in response to it, which surfaces regularly, even ten years on from the prayer experience itself. I would describe it as a profound disturbance that is deeper than anything I am conscious of, still.

In the Spiritual Exercises, on the way the evil one acts, when using the analogy of the false lover who whispers and urges us to secrecy, Ignatius says:

But if one manifests them to a confessor, or to some other spiritual person who understands his deceits and malicious designs, the evil one is very much vexed. For he knows that he cannot succeed in his evil undertaking, once his evident deceits have been revealed.

The Spiritual Exercises of St. Ignatius, trans Louis J. Puhl S.J.

My own spiritual director uses the image of shining God’s light on things that might want to remain in the dark when helping me to discern consolation from desolation, and the direction of my path. I have found it to be very helpful and it is an image I use myself. It is as if, with God’s help and guidance, you could pick up the lantern in the featured image, and move it around the dark areas in your soul, one by one, so that with Him, you could face all of your deepest fears and shame, and He would heal you.

However, it does not feel as simple and lovely as all that. I am reminded of my prayer that no-one can see the face of God and live.

We shall surely die, for we have seen God.

Judges 13:22

And that St. Paul says:

For now we see in a mirror, dimly, but then we will see face to face.

1 Corinthians 13:12

I am also moved by “The Light” from The Proclaimers:

Light in the Darkness 2: Reading of this post.

I’ve been stumbling in the dark for years, and the light just made me blind.

The Proclaimers; The Light

I am only left to concede that there is trauma associated with stepping into God’s light, to look at Him face to face is blinding and causes a death within us. We can no longer see anything good in our inordinate desires and the way we lived before is no longer possible. It can be easier, and more comfortable to cling to the darkness of our shame than to look at it in the full glare of God’s light. We are unable to bear the pain of it alone. I would put my experience of touching His face in this category. It is as if there are moments when He does not hold back so much as previously in His desire to show us Himself. In my prayer on my journey with Julian of Norwich this week, one of the phrases that stood out for me is:

God wishes to be seen, He wishes to be sought…

40 Day Journey with Julian of Norwich, Day 1

It is almost as if His enthusiasm gets the better of Him, and the usual tender and gentle respect with which He regards our protective boundaries dissipates as He gathers us up and brings us into His heart, simply because He cannot resist us. It is God who takes the initiative. And it splits us wide open. Perhaps it is what the mystics mean when they describe union with God, and it is as searingly painful, as it is blissful and transformational.

Rather than make this happen, we should simply let it happen.

The Way of Paradox, Cyprian Smith

and in a way, is it not what we desire?

…we can pine for God, reach out to Him, yearn for Him who lies hidden in an impenetrable cloud of mystery.

The Way of Paradox, Cyprian Smith

When I look at the image featured in this post, and from my prayer with it, I notice that the light is neither glaring nor harsh. The image is mostly darkness, but the warmth of the light draws us gently out of the darkness, it invites us not to remain there. There are many places in that image where we may dwell: I least wanted to be in the bottom left hand corner, furthest away from the light: I most wanted to be protected, inside the shade, but not in the full glare of the light source. I was invited to dwell outside of the shade, in the bright spot to the bottom left of the image of the cross that is projected onto the wall. There is both pain and death in standing in this place.

The third week of The Spiritual Exercises invites us to enter into the Passion and death of Jesus: the desire we ask for is:

…sorrow, compassion and shame because the Lord is going to His suffering for my sins.

The Spiritual Exercises of St. Ignatius, trans. Louis J. Puhl S.J.

In my own personal experience of The Exercises, I knew that I wanted to stay, to remain with Him through it all: I could not bear to be one of those who ran away, no matter how painful it was to stay and to watch Him suffer, and to be powerless in the face of His suffering. To experience this sorrow is spiritual consolation, and is to receive the grace asked for at this point in The Exercises.

Light in the Darkness 3: Reading of this post.

So it seems to me that in terms of our spiritual journey, we exist in a darkness that is both comfortable and uncomfortable. The darkness itself is not infinite, and does not have power over the light. It is diminished by the smallest presence of light. Even as we are attracted to it, we can choose to turn our back on the light and face into the darkness, and there are times of spiritual desolation when we do. We can also face the light and choose to be drawn by its warmth and move closer to it. Such invitation and movement is spiritual consolation. Just as the light is comforting, it is also painful when we are unused to its intensity, and may even blind us. In time, our eyes adjust to our new reality.

The Perfect Imperfect

Sunflower mandala.
The Perfect Imperfect 1: Reading of this post.

Perfectionism is an issue. From my training as a scientist I know that accuracy and detail is important: it makes the scientific conclusions drawn from valid data as rigorous as possible, without overstating explanations as fact. Science is careful when it is done formally. Public perception and popular science expressing opinion are not necessarily so rigorous, and there are counter arguments presented to those opinions parading as science because the author also happens to be a scientist. My concern here is not with science, because I see no contradiction between science and religious faith. In my opinion, that argument is contrived.

I remember a distant conversation with a man, but I do not remember the occasion or circumstances, nor the man. He may have been a Muslim man, and I think that he was, and he was talking about the weavers of Persian rugs. He told me that although the patterns in the rugs are clear and logical, the weavers always weave into the rug a mistake: imperceptible, but they never make them perfect:

…because only God is perfect.

And while I do not remember the occasion or who this man was, I do remember the warmth in his voice, and the light in his eyes, when he said this. It is why the truth of it has remained with me, even when everything else around it has faded in my memory.

If you have looked at my Mandala page, and other posts where I have included a mandala image, you will know that I create these pieces of art out of prayer, and that it is a compulsion that began from an imaginative contemplation I had once on a retreat, where I was trying to express, albeit inadequately, my prayer experience: words were not enough, and neither is the art. I am still trying to express this one prayer, and it draws me deeper each time and sustains me. In the course of my journey with the mandalas, I discovered the book “How the World is Made, The Story of Creation According to Sacred Geometry and was struck by the contrast in the images of the Heavenly City mandala when drawn by hand and generated by computer:

The Hand and The Computer, A Note on the Illustrations: How the World is Made, The Story of Creation According to Sacred Geometry, John Michell
The Perfect Imperfect 2: Reading of this post.

The architect and geometer Jon Allen is quoted as saying:

We lose something when we use computers to draw geometry. However beguiling their mechanical precision, they lack “heart”: in some subtle way we become observers, rather than participants.

Jon Allen, Drawing Geometry, as quoted by John Mitchell, Sacred Geometry.

The second mandala in the above image, I have to acknowledge, leaves me feeling a bit cold: not because it is in black and white, but because it is too clinical. It does not move me, whereas the hand drawn one above it captures my interest much more. I know it is not an issue of colour, because I am a member of a mandala group on another social media site and I scroll past the computer generated ones, no matter how colourful they are. I am always more likely to pause to ponder those that have been hand drawn.

In the Sermon on the Mount, Jesus says:

Be perfect, therefore, as your heavenly Father is perfect.

Matt 5: 48

So what it is that draws me to those mandalas that are imperfect, and repels me about the ones that are perfect? For me, the essential element is process, or movement. In the retreat when I first created my mandala and I spent another day, as suggested by my director, writing down my journey to the final drawing, I finished with the realisation:

…it is the process itself that is important, because it is the process we engage in that skews us towards God, that draws us closer to Him, that transforms us so that we become more like Him.

God in all Things mandala, drawn at Loyola IGR, 2009.
The Perfect Imperfect 3: Reading of this post.

One of the meditations during the first week of the Spiritual Exercises is on hell. Ignatius encourages us to imagine the place of fire and brimstone, as tradition describes. I imagined however, a place where nothing every changed, where there was no stimulation to the senses at all: no sound, smell, taste, no texture to feel, neither hot nor cold, and everything was white, no shadows, colour, nothing; for all eternity, nothing. And being fully conscious of that. I screamed, there was no sound, I cried, there were no tears. I could not hear my own heartbeat nor my own breathing. To feel, even for a moment, that there was no escape from such a place was indeed hellish.

The Perfect Imperfect 4: Reading of this post.

When I see the triquetra, I do not see a static shape, I see a constant flow. It is also what I see when I look at Rublev’s icon of the Hospitality of Abraham, a constant flowing love between the three persons of the Holy Trinity, and with a gap, where I am invited to join the flow. It is as described by Richard Rohr in “The Divine Dance”. God is constant movement. In the Contemplation to Attain Love in the Exercises Ignatius asks us to consider:

…how God works and labors for me in all creatures upon the face of the earth, that is, He conducts Himself as one who labors.

The Spiritual exercises of St.Ignatius, trans. Louis J. Puhl S.J.

As I understand it, the perfection of God is in the eternal movement of God.

St Beunos. Mandala on wood.
The Perfect Imperfect 5: Reading of this post.

The above mandala is of the labyrinth at St. Beunos, painted on wood. Normally, I would have tidied up where the colour has spilled over onto the gold by way of finishing off the mandala, and here, even though it seems sloppy and a bit embarrassing, it was clear in my prayer, that it had to be left this way. The colour spectrum represents the Holy Spirit, and the Holy Spirit:

…does not stay between the lines.

It represents the wildness of God, that He will not confine Himself to our expectations of Him. And this is my point. When we see a pattern, our brain knows what that pattern is supposed to do. When something is off about it, we are drawn to that imperfection, it bugs us and leads us into contemplation, from the imperfect as we see it, to the perfect, as we would like it to be: it is the process, the journey, the desire for improvement.

A computer drawn mandala has no room for improvement. Any change to it leads away from perfection. If God is perfect, moving away from perfection is a movement away from God, into spiritual desolation.

However an overdrive for perfection, into the area of the law of diminishing returns, can also be spiritual desolation. I recognise it within myself, the tendency towards pride, and it leads to obsession with work and neglect of other aspects of life, such as relationships and prayer. In his book “The Me I Want to Be”, Jon Ortberg talks about “Signature Sins” . He says:

The pattern of your sin is related to the pattern of your gifts…

…it starts close to home with the passions and desires that God wired into us and tries to pull them a few degrees off course. That subtle deviation is enough to disrupt the flow of the Spirit in our life, so coming to recognise the pattern of sins most tempting to us is one of the most important steps in our spiritual lives.

The Me I Want to Be, Jon Ortberg

Recognising our own pattern of sin is an important movement that occurs during the first week of the Spiritual Exercises.

At the other end of the scale, the push for perfection can cause paralysis, rather that obsession. For example, I was helping a child with ionic bonding recently. She was refusing to draw dot/cross diagrams into her beautifully and perfectly presented exercise book because she deemed them to be messy. The unattainabilty of perfection was getting in the way of the learning process. And so the feeling of it never being good enough can get in the way of doing anything at all. It is the process that draws us to God, not the final result.

The final result, because of its imperfection, will, if we allow it, continue to draw us into this process with God.

The Perfect Imperfect 6: Reading of this post.

The mandala above was the third one I coloured on the Loyola retreat after creating this design. It was a prayer for my younger child who had been bullied at school that year by a group of three boys. The purple represents suffering, the yellow, hope; the red, faith; and the blue, love. In following the pattern, one of the shapes which should have been yellow, is in fact blue. When I realised my “mistake”, I heard Him say within me, that for a child to recover from such a thing as bullying, it takes a little more love. I knew how I needed to respond to my child when I got home from my retreat.

In our imperfection, there is God’s perfection. We live in His freedom and are open to His grace when we live in our imperfection and allow it to be the case.